Flop eared mule — Mandolin Tab

Mandolin tab and sheet music with synced audio · Adam Couse · Key of D · 120 BPM · 2/2 time · Bluegrass · Beginner

Chords used in this arrangement: D, A7, A, E7.

Most people assume "Flop-Eared Mule" is a straightforwardly American invention, but its paper trail leads straight to a Detroit music store in 1854. The tune is widely considered a folk-simplified descendant of the "Detroit Schottische," a three-part parlor dance piece written and published by Adam Couse, a dancing master who owned a music shop in Detroit. That 19th-century sheet music was formal and polished; somewhere along the way the tune shed a part, picked up a barnyard name, and became one of the most durable crowd-pleasers in the old-time repertoire. The range of aliases it has collected says a lot about how widely it traveled: collectors have documented it as "Lop-Eared Mule," "Monkey in the Barbershop," "Asheville" (recorded by the Helton Brothers for Broadway Records in 1924), and in a 1933 Québécois fiddle book - as Reel du grison, which translates roughly to "Mule Reel," since grison is an old French synonym for a donkey. The same melodic DNA also turns up in a 1930 Ukrainian-American 78 RPM recording and a Scandinavian polska, suggesting the core motif was circulating across immigrant communities simultaneously.

Musically, the tune's most striking feature is that it doesn't stay in one key — the A-part sits squarely in G (or D, depending on the version), while the B-part shifts to the key a fifth above. That's unusual enough in old-time music that it catches dancers and players off guard the first time. The form is a straightforward AABB, and each part is compact and almost symmetrical: the A-part marches steadily down the scale with a ringing octave leap at the top, while the B-part has a more circular, rocking character built on repeating two-note figures. That contrast in shape is what gives the tune its personality and makes it easy to memorize once you stop thinking of both parts as a single key.

Technique tips for mandolin:

- Nail the position shift between parts. Because the B-part lives in a different tonal center, your anchor note moves. Before you speed up, run the transition - last two bars of A into first two bars of B - slowly until the fret-hand shift feels automatic rather than reactive. - Use your ring and pinky fingers on the B-part's repeating figures. The circular two-note cells in the B-part are an excellent workout for your weaker fingers. Deliberately favor your ring finger on the lower note and pinky on the upper note rather than defaulting to index and middle, you'll build strength and the notes will ring more evenly at tempo. - Keep your picking even and driving throughout. This tune's schottische roots mean it has a slightly bouncy, march-like feel under the old-time breakdown surface. Try a consistent down-up alternating pick stroke with a light accent on beats 1 and 3 - this keeps the forward momentum without turning it into a chop-heavy bluegrass read.

This page includes mandolin tablature, standard music notation, and a chord chart — printable as PDF and playable in sync with the original recording. Change the key, slow the tempo down, and loop the bars you want to practise.